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Night terrors may might seem similar to nightmares , but the two are different.

Night terrors tend to occur when you partially wake from NREM sleep. Still, the exact underlying cause of this partial awakening and its relation to night terrors is unknown. But experts have identified some factors that might play a role.

Woodworking Not So Common Sense

Many adults who experience night terrors live with mood-related mental health conditions, such as depression , anxiety , or bipolar disorder. Night terrors have also been associated with the experience of trauma and heavy or long-term stress. Respiratory conditions, such as sleep apnea , may also increase your risk of having night terrors.

A small study involving 20 participants monitored pressure on the esophagus overnight to see how respiratory events could contribute to night terrors. The results suggest that people with disruptive sleep disorders, including night terrors, are more likely to experience breathing troubles while sleeping. But if you think you may be having them, or someone else has seen you have them, make an appointment with your healthcare provider. They may ask you to keep a sleep diary for a short time to help rule out sleep deprivation or other issues.

If you sleep with a partner, they can help provide details of the episodes. If they rule out all potential medical causes, including other sleep disorders , they may refer you to a sleep specialist if your symptoms are having a big impact on your sleep quality. Addressing those causes can lead to fewer episodes and may even help them stop entirely.

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Henry David Thoreau (1817–1862)

A good starting point is getting yourself on a regular sleep schedule. You might find that simply getting enough sleep on a regular basis is enough to combat night terrors. Before bedtime, try to avoid using electronic devices, working, or any stimulating activities. Instead, try meditating, relaxing in a bath, or reading a book. Avoiding caffeine late in the day and limiting alcohol use may also help reduce episodes.

If your night terrors tend to happen around the same time, try waking yourself up about 15 minutes before they would typically happen. Stay awake for several minutes before going back to sleep. In some cases, night terrors could be a sign of stress, trauma, anxiety, depression, or other mental health concerns.

If nothing seems to be working, consider seeking support from a therapist.

What Is Your Life Path Number? A Telling Numerology Report | Gaia

They can help you identify any underlying issues and help you develop new coping tools. Biofeedback, hypnosis , and cognitive behavioral therapy can all help. If you live with or share a bed with a partner who has night terrors, there are a few things you can do to offer comfort and keep them safe. Avoid trying to wake them up during an episode. You may not be able to wake them, but even if you can, they may become confused or upset. This could cause them to act out physically, potentially injuring both of you. What you can do is be there to offer comfort without getting physically involved.

Talk to them in a calm, quiet voice.


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But back off as soon as you sense any hesitation or aggression. If your partner feels embarrassed the next day when they hear about their behavior, try to offer reassurance and understanding. Consider showing support by helping them keep track of episodes in a sleep diary or going with them to a therapist appointment. Night terrors are short, frightening episodes might cause you to cry out or get up in your sleep.

Calculate your Life Path Number

It is accurate to say that he saw the beauty of nature and its life-giving potential, and this led him to reimagine who the human being is. Instead of ignoring the natural world, Thoreau wants to honor its importance, but he makes it clear that it is through nature and in nature that humanity is more than it is in civil society. In other words, society constructs a reductive image of humans as outside of nature and separate from it, but this is a dehumanizing process, as being fully human is realizing how we are part of the natural environment everywhere surrounding, embracing, penetrating, and integrating us.

This does not mean, however, that the natural world takes notice of humanity. The sea-shore is a sort of neutral ground, a most advantageous point from which to contemplate this world. The waves forever rolling to the land are too far-travelled and untamable to be familiar. It is a wild, rank place, and there is no flattery in it. Strewn with crabs, horse-shoes, and razor-clams, and whatever the sea casts up,—a vast morgue , where famished dogs may range in packs, and crows come daily to glean the pittance which the tide leaves them.

The carcasses of men and beasts together lie stately up upon its shelf, rotting and bleaching in the sun and waves, and each tide turns them in their beds and tucks fresh sand under them. There is naked Nature,—inhumanly sincere, wasting no thought on man, nibbling at the cliffy shore where gulls wheel amid the spray. The ocean can be beautiful, but here Thoreau describes the very inhumane sincerity that gives the ocean its character. As much as the water supports a lively world below its surface, it harbors within it dead, decaying bodies that find little rest among the nonstop agitations and undulations of the waves.

While the popular perception of Thoreau can focus on his desire to preserve nature, its beauty, and its inspiring qualities, Thoreau does not ignore the potential danger that constitutes a great portion of nature. The ocean could carry commerce and people from continent to continent, but it could also toss boats around, sink them, and drown their passengers. Thoreau, therefore, was not blind to the immense power and dangers of nature, and he knew well the fear this could generate.

Ktaadn, which stands 5, feet high and is located almost in the center of Maine. Thoreau was not ready for the feeling of dislocation he would be subjected to as he crossed a rugged, lightning-charred portion of the mountain; being outside of commonly-encountered surroundings and traversing the harsh portion of Ktaadn, Thoreau explains,. Perhaps I most fully realized that this was primeval, untamed, and forever untameable Nature , or whatever else men call it, while coming down this part of the mountain.

We were passing over Burnt Lands, burnt by lightning. It is difficult to conceive of a region uninhabited by man. We habitually presume his presence and influence everywhere. And yet we have not seen pure Nature, unless we have seen her thus vast, and drear, and inhuman, though in the midst of cities. Nature was here something savage and awful, though beautiful.

I stand in awe of my body, this matter to which I am bound has become so strange to me. I fear not spirits, ghosts, of which I am one,— that my body might,—but I fear bodies, I tremble to meet them. What is this Titan that has possession of me. Talk of mysteries! The solid earth!


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The actual world! The common sense! Who are we? Where are we? Here Thoreau becomes dispossessed of the familiarity he has felt in nature; the starkness of the landscape and the raw materiality of the mountain thrust his own materiality into question, which generates a desire for material contact. He moves from the land that is inhuman to his need for contact; he has encountered a part of nature that does not make him feel at home, but has reduced him to feeling less than himself, or other than himself.


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  8. Nature is complex and without a consistent fond engagement with human life. From his earliest journal entries to his last years of journaling, the focus on water is prevalent. This emphasis is most evident in the final years of his life when he logged detailed data in his journals concerning the variations of water levels of the Concord River throughout the seasons. Similarly, the two books published during his life, A Week and Walden , are based on the importance of a source of water for the setting; in A Week , the setting is the Concord and Merrimack rivers, and in Walden , it is Walden Pond.

    In his two posthumously published books, The Maine Woods and Cape Cod , Thoreau is dependent on water, as it is inseparable from the overall progression of his writings; in The Maine Woods , for example, Thoreau travels by water from the Penobscot River and Chamberlain Lake to Moosehead Lake, and Cape Cod remains largely focused on the Atlantic Ocean and its impact on Cape Cod and its inhabitants.

    Sherman Paul makes this clear in his book on Thoreau; he addresses the deep spiritual and ontological significance of water for Thoreau. The river had become the way of communion with the eternal. They are the constant lure, when they flow by our doors, to distant enterprise and adventure, and, by a natural impulse, the dwellers of their banks will at length accompany their currents to the lowlands of the globe, or explore at their invitation the interior of continents. They are the natural highways of all nations. Human life and water are inseparable; water sustains life, travel, and the imagination.

    Thoreau uses water for more than his settings, however, as he constructs his ontology on the flowing nature of water and the belief that change is a constant part of existence. Thoreau is comfortable with how all aspects of the world are changing; he made this discovery toward the end of his boating voyage with his brother, as he describes the flowing nature of all existence:. The hardest material seemed to obey the same law with the most fluid, and so indeed in the long run it does. Trees were but rivers of sap and woody fibre, flowing from the atmosphere, and emptying into the earth by their trunks, as their roots flowed upward to the surface.

    And in the heavens there were rivers of stars, and milky-ways, already beginning to gleam and ripple over our heads. There were rivers of rock on the surface of the earth, and rivers of ore in its bowels, and our thoughts flowed and circulated, and this portion of time was but the current of the hour. Instead of allowing readers to think that returning to land would be the halting point for encountering flows, Thoreau honors the changes going on below our feet and all around us.

    Instead of stability, there is flux everywhere, and this challenges our desires for permanence. Few phenomena gave me more delight than to observe the forms which thawing sand and clay assume in flowing down the sides of a deep cut on the railroad through which I passed on my way to the village, a phenomenon not very common on so large a scale. When the frost comes out in the spring, and even in a thawing day in the winter, the sand begins to flow down the slopes like lava, sometimes bursting out through the snow and overflowing it where no sand was to be seen before.

    I am affected as if in a peculiar sense I stood in the laboratory of the Artists who made the world and me,—had come to where he was still at work. I feel as if I were nearer to the vitals of the globe. What is man but a mass of thawing clay? Thus it seemed that this one hillside illustrated the principle of all the operations of Nature. It convinces me that Earth is still in her swaddling clothes, and stretches forth babe fingers on every side.

    This thawing, which is taking place around the railroad tracks, is a small portion of what is occurring on a larger scale. The flow of the sand and clay reminds Thoreau of the flowing taking place within the human body, and it convinces him that Earth is still in a process of changing and maturing. It is philosophically incorrect to emphasize permanence or stagnation over change.

    Societal structures like to keep things orderly, and societies like to categorize aspects of the world and rank them according to which aspects are extremely valuable compared to those things that are insignificant.